We’re excited to announce our new season of show for the 2017-2018 Year!
Fiddler on the Roof
July 21-30, 2017
Winner of nine Tony Awards when it debuted in 1964, Fiddler on the Roof is the brainchild of Broadway legends, Jerome Robbins and Harold Prince; songwriters, Jerry Bock and Sheldon Harnick; and bookwriter, Joseph Stein. Touching audiences worldwide with its humor, warmth and honesty, this universal show is a staple of the musical theatre canon.
Set in the little village of Anatevka, the story centers on Tevye, a poor milkman, and his five daughters. With the help of a colorful and tight-knit Jewish community, Tevye tries to protect his daughters and instill them with traditional values in the face of changing social mores and the growing anti-Semitism of Czarist Russia. Rich in historical and ethnic detail, Fiddler on the Roof‘s universal theme of tradition cuts across barriers of race, class, nationality and religion, leaving audiences crying tears of laughter, joy and sadness.
A Night of Dark Intent
September 15-24, 2017
Set in October 1978, A Night of Dark Intent is the story of six women, who spend the weekend together in an abandoned house. The house, however, is no ordinary home: 13 years prior, a young woman by the name of Lenora Stark brutally murdered her parents in this location. Now, as the six women try to unravel the secrets of what really happen 13 years ago, they learn a horrifying truth: Lenora Stark has escaped from her asylum and just might be coming home.
From the author of Halloween Dreams, comes a shrill-inducing chiller in which six women must race against the clock to solve a murder and to save their own lives. With a story that thrills, twists, and turns, A Night of Dark Intent is the perfect night of theatre for any mystery lover!
Moon Over the Brewery
November 10-19, 2017
Miriam Lipsky, unmarried and living with her thirteen-year-old daughter, Amanda, works as a waitress to pay the bills, but it is her painting that really matters to her. Good subjects are scarce in the drab Pennsylvania coal town where they live, so Miriam dons a miner’s lamp and paints at night, when moonlight softens and transforms the stark landscape. Miriam is also desirous of male companionship, a need which the precocious Amanda (she has an IQ of 160) has discouraged by driving away suitor after suitor with her barbed comments. Amanda, compensating for the lack of a father, has also created an imaginary friend, Randolph, who appears (only to her) in a resplendent white suit and provides mischievous advice and guidance. Matters come to a head when Miriam brings home Warren Zimmerman, a rather unprepossessing, somewhat paunchy mailman who, at first, appears to be a perfect target for Amanda’s (and Randolph’s) caustic remarks and demeaning intelligence tests. Until, that is, he quietly but firmly beats Amanda at her own game. In fact it is the surprisingly resourceful Warren who is able, at last, to wean Amanda away from her dependence on Randolph and into reality—and who, in time, may also be the one able to fill the aching needs of both Amanda and her lonely mother.
The Velocity of Autumn
March 2-11, 2018
THE VELOCITY OF AUTUMN swirls around Alexandra, an 80-year-old artist in a showdown with her family over where she’ll spend her remaining years. In Alexandra’s corner are her wit, her volcanic passion, and the fact that she’s barricaded herself in her Brooklyn brownstone with enough Molotov cocktails to take out the block. But her children have their own secret weapon: estranged son Chris, who returns after 20 years, crawls through Alexandra’s second-floor window and becomes the family’s unlikely mediator. No sooner are the words “Hi, Mom” uttered than the emotional bombs start detonating. THE VELOCITY OF AUTUMN is a wickedly funny and wonderfully touching discovery of the fragility and ferocity of life.
April 27-May 6, 2018
Two strangers, a man and a woman, board a San Francisco BART train at 4:30 a.m. They’re alone in the car, each is married, both are doing the New York Times crossword. She’s an organized, sensible psychologist. He’s a free-spirited, unemployed ad exec. She is a crossword pro, he always quits. When he tosses his puzzle away, she snaps, “Crosswords are a metaphor for life, those who finish, succeed, those who don’t, fail.” Now he vows to finish. Why? He’s a competitor and she happens to be lovely. This starts an eighty-minute ride described by critics as “Hilarious,” “Witty,” “Romantic,” “Poignant,” and “Wonderfully entertaining.” Two opposites in an enclosed space, attacking each other’s values but also being swayed and intrigued by them. They each have serious life problems that the other helps solve. Their trip is filled with unpredictable, but believable, surprises, even a passionate kissing embrace or two. As the train ride ends, it’s obvious each of them has been changed for the better.